Midwest Summer: Light and Warmth Opening and A New Painting!

The opening reception for Midwest Summer: Light and Warmth was June 5, 2015. It was an exciting night. First, I was able to share this event with my three children . . . who were more excited to go to Grandma and Grandpa's house than stand and look at my painting or the other 60 or so amazing works of art all around us. None the less, I was so happy to have them there with me. 

Being included in the exhibit was a bit of a dream come true. One of my paintings is in a museum for the summer. This is . . . exciting! Then I think about the other artists included in the exhibit (some of my heroes!) and I am humbled. I couldn't help but document the some of the minor details leading up to the exhibit.

 

I am no stranger to loan agreements after working as an art conservator on museum installations, but this was my first loan agreement for my own artwork. 

Taking one last picture of it on my wall where I got to enjoy looking at it every day.

The day I dropped it off. (Yes, I am embarrassed that it is not wrapped or otherwise protected. Thankfully I live a mere two to three miles from the museum with a 25 mph speed limit the whole way)

The exhibit will be up through September 13, 2015 and there are so many great paintings, photographs, drawings and even some sculptures and gorgeous jewelry to see. If you're in the area I hope you go check it out. 

All this activity got my creative juices flowing again and with an unexpected month off from teaching painting classes in June, I had some time open up that I wasn't planning on so I started a small oil painting. 

Hidatsa Shield Figure Bean 2

Oil Paint on Wood Panel

3 1/2 w x 4 5/8 h x 3/4 d"

This is my third painting of an hidatsa shield figure bean. I blogged about the first one here Hidatsa Shield Figure Bean 1. I love these beans because of the history of how they were grown in a three sisters method of planting with corn and squash and of course I love the way they look. I love the spotted patterns that most beans have and the way the skin splits open to let the root emerge. 

Dimensions with frame 4 1/8 x 5 1/4h"

SOLD

Midwest Summer: Light and Warmth at the CRMA June 6 - September 13, 2015

I am so pleased to announce that my painting Black Aztec Corn 1 was selected to be a part of the juried  exhibition Midwest Summer: Light and Warmth at the Cedar Rapids Museum of Art this summer. The show will be up from June 6 - September 13, 2015 with an opening on June 5 from 5pm - 7pm. I am truly honored to be included in an exhibition with several of my local artist heroes.

Information on the exhibit can be found at the following link.
http://www.crma.org/Exhibition/Detail/Upcoming/Midwest-Summer-Light-and-Warmth.aspx

I blogged about the painting in this previous post Black Aztec Corn 1.

Practice Drawings

I used to dive right into a painting. I would always do a sketch, of course, but right onto the prepared substrate, and then the painting would begin. Not surprisingly I produced a couple of duds. It either had a boring composition or the seed was nice to look at in it's less than one inch size, but once it was blown up it just became unappealing. This was difficult since I don't like waste and I used some beautiful slate, steel siding and wood to produce a couple of paintings I didn't feel like showing anyone, and didn't even want to look at myself. While I haven't given up on trying to convert them into something I do like, I also haven't come up with many ideas for them yet.

I returned the the decade old advice from a former professor in a mid-semester critique - practice, practice, practice, draw, draw, draw. Now I do colored pencil drawings first on 14 x 17 in paper. It simultaneously feels like it takes up more time and saves me loads of time and frustration. It's a little easier to fit in drawing here and there. Sometimes I only have 15 minutes, but it is enough to provide a little relief from the roiling feeling I have when I haven't been able to get to my work for too long. It gives me the chance to flesh out my ideas in a way that works with my hectic schedule. Since I started this more disciplined path, I have turned a number of my drawings into larger work and I have also discarded or reworked a number of images. This blue corn drawing was turned into . . .

this painting, which I blogged about here: Black Aztec Corn

Black Aztec Corn

This drawing of bloody butcher corn . . . 

Became this 21 1/4 x 25 7/8 inch painting on pallet wood (currently being framed and soon to be featured in a post of it's own) . . . 

This drawing of a sprouted apple seed is transforming into . . . 

 This 17 x 25 3/4 inch painting on the wood that I blogged about here Wood. This painting is still in the works, but in it's early stages it went through a period when I didn't like it at all. I did love the drawing when I completed it though, so I started putting the drawing up every time I went to work on the painting and it helped me get back on track.

The drawings also offer me a chance to tweak the composition a little . . . 

Or a lot. 

I also like the (slightly) looser feeling of the drawings. I like seeing the pencil marks that wouldn't completely erase during the reworking of the image. I love seeing the margins fill up with colorful marks and notes. 

The current drawing in progress is from a series of sweet pepper photos I did that I have been aching to get to for over a year. My hope for these is to do some seriously large paintings several feet in width and length so that they (hopefully) engulf the viewer in a sense. Starting this series of drawings has been a relief in one way, while it also has added in the excitement of figuring out what materials to use and how to mount the painting properly since it will likely weigh a lot. Creating these drawings stop me from jumping in before I'm ready and give me the time I need to work out some of the mechanical issues as well as the compositional issues. 

They save me from myself . . .

My Favorite Season

I LOVE, LOVE, LOVE FALL!
It is my favorite season by a long shot.

I love the crisp edge of the air, even on warm days. I love the changing color of the leaves in the trees, the crunchiness of the leaves that have fallen and the smell of the leaves as they begin to decompose. I love the way the light changes as it filters through the thinning bright yellow and red trees. 

Today I took some time out to walk on the trails through a local city park - this is right in the middle of town! - and take in the gorgeous weather and views.

The colors are absolutely beautiful right now. Everything is at it's peak.

The tree tops were glowing in the morning sunlight. This picture really doesn't do justice.

A split tree trunk left over from one of the strong storms that blew threw this summer. I loved the texture and the undulating grain.

A single leaf caught in a broken branch illuminated by the stream of sunlight.

The trail was so inviting.

I had to share it with several creatures this morning. I've finished harvesting, but their work is reaching a fever pitch. 

Just a few more days of this left I think . . . 

Black Aztec Corn 1

Black Aztec Corn 1

Oil pastel and gesso on steel siding

16 3/8" x 18 3/8" x 2 1/4"

Image size 9 5/8' x 7 3/4'

I obtained a few seeds of blue corn from a vendor at the Mt. Vernon winter market a few years ago. I sprouted them immediately, but they didn't make it into a finished painting until now. It was wonderful to have corn seeds of a different color as opposed to the typical yellow. 

The frame is made from weathered pallet wood picked up by my husband sometime when he was out and about. I love the soft color and texture of the evenly weathered wood.

I left the two bottom, unfinished corners slightly exposed with this frame. I liked the raw look of them and the fact that you can see the little marks from when I cleared extra pastel from the ends of my blending stumps. When looking at other artists work's I find that I like to see the little places where you can see their brush strokes, pencil notes and other things that weren't necessarily meant to be seen. I like the intimacy of these features. When I look at someone else's work I usually view it from several distances, finally ending up about a nose length from the canvas or substrate - as close as I can get without getting in trouble.

Sprouted Sweet Corn 4

Sprouted Sweet Corn 4

16 1/2 x 11 15/16 x 1 1/2 inches

Steel Siding, Wood, Oil Pastel

It's been . . . a while since I've posted a finished/framed painting. I finished this painting a while ago, but getting into the wood shop to construct the frame has proven to be a challenge for several months now. Yesterday I spent the whole day in there and hammered out this frame so that I could finally call this piece complete. 

The sprouted kernel of sweet corn is painted on a gessoed piece of steel siding. It's been a while since I've worked on siding and it was fun getting up close and personal with this while I was taking measurements for the mount and frame. I rough up the siding a bit and then I paint on a layer or two of clear gesso with a nice, grainy texture that provides a good tooth for the oil pastel. 

I love the texture that it adds to the painting.

I also really like the ripples in the steel siding. It's nice when I can line up elements of the composition with the ripples in the siding. 

The mount and frame are made of recycled wood. The mount which you cannot see is made from pallet wood and the frame is made from lath boards.

All of the lath boards with the gray color were recovered from our dining room ceiling when we replaced it several years ago.  I saved most of those boards and then used some of them to build a compost bin that I put next to my garden for seven years. I stopped putting kitchen scraps into it a few years ago when we found a round plastic compost bin. I finally got around to taking it out this year. I dismantled it and put all of the useable boards in the freezer for a few days to ensure that there would be no pest infestation. Even though it looks to be in pretty bad shape, there are actually many useable boards here. I love that they are finding a third life in a work of art. 

A few of the boards even have some lichen on them and if you ask me they add a nice, natural pop of color and texture. 

The lath boards that are more tan in tone came from a house that my cousin remodeled two years ago and he was gracious enough to save a couple of bundles of boards for me. 

The organic look of this frame seems fitting for the growing kernel of corn. I used simple construction to build it. Since the most recent use of the boards was as a compost bin I felt that was the most appropriate solution. I used new screws to make the mount, but the rest of the frame was constructed using recycled nails. I save all the nails I pull out of the pallets and lath boards. Some of the nails come out straight and some come out bent, but I figure I can probably find a use for the them all at some point. 

Holland White Cucumbers

I love Holland White Cucumbers. They are so delicious and still pretty fun to photograph.

I love their curly tendrils.

Spotting the first fruit of the season is always very exciting.

I don't usually do too much with my cucumbers once the harvest begins. I know there is cucumber salsa, pickled cucumbers, etc. etc., but they are just so good for snacking as is.

I love them raw and plain. I usually cut them into sticks and eat them like carrots. They are so crisp and refreshing. I go through one or more just myself per day.

I also really love to slip a slice into my water. It tastes delicious and having the little boost of flavor makes drinking water more appealing and makes it easier to stave off cravings for something flavored and likely not good for me.